Dylan White
Mortar
Santa Ana Ayuda
- Loopy & Esther
- Hidything
- DSPPR
- Artwork in the Ruins
- Yowie and the Magpie
- The Infernal Method
- Pocket Megaliths
- Raindance
About
Substack
The Shortest, Longest Bus Trip - editorial illustration for new online magazine and newsletter Mortar from Stack Publishing.
- Santa Ana Ayuda
Editions for Epoch Gallery LA fires fundraiser, using a combination of Blender and procedural dither.
- Loopy & Esther
Three music promos and accompanying gifs for Samantha Whates and Ida Wenøe’s album Loopy & Esther, extending our hidything loops into more narrative forms. The videos featured on promo news and can be seen in full below, along with this essay about the animation process on substack.
Lily Pad Blues
Little Bird
Bless The Telephone
Cover artwork and weaving loops for Nick + Samantha’s Seabird / Her, released on Chris Coco’s Disappear label.
As my attention turns to how creative skills can be used for a better purpose, my work takes on an ever greener hue.
Working without keyframes, I often animate these straight ahead; the fast looping dynamism seems to convey the urgency in which we find ourselves, while an animated boil is probably the best metaphor we have.
Hidything is the audiovisual duo of myself and Samantha Whates. A creative collaboration began during lockdown, together we create idents for The Chill Out Tent, music videos, live visuals, and collectable editions.
Some examples below and more info over at hidything.club
A homage to the late Norman Ackroyd, an artist who first inspired me in his persistent focus on bird flecked archipelagos. I’ve been exploring something like his etching process using only digital tools.
A hunter's obsession seals his fate in a darkly comic animated tale of man versus monster.
Commissioned by FilmLondon, premiered at London Film Festival, McLaren nominated at Edinburgh International Film Festival, Vimeo Staff Pick and Short of the Week.